my daughter in the bathtub

a plastic penguin in one chubby fist 
a plastic dolphin in the other

i’m gonna be everything 
she says to the penguin
everything

i'm    going     to      be 
E  V  E  R  Y 
THING

i know what I’m going to be
she turns to the dolphin 
everything
 
i try to remember back 
to when I had that primal conviction

a thin cognition
in a blue bathing suit 
squinting into the sun

and wonder the ways 
in which the intervening 36 years 
will whittle my daughter 

down to the exact approximation 
of her grown self

the tortuous route by which 
she will be shaved into a woman
my daughter in the bathtub

from the series: dead men i have loved #3

you came around 
when i was four
eating coffee beans by the handful
from a bag
that sat wedged against the armrest 
of your Chrysler Plymouth 
filterless camels
caftan and headdress
belly dancers on 35mm
taped to the bedroom wall

baklava and leather loafers
my best friend

once i walked across South Bend
to ring the doorbell to your apartment
i was six
you were dying your hair

you mixed sugar on a plate 
of tahini
i ate it with my fingers 
like some sort of stray animal

until my mom came and got me


from the series: dead men i have loved #3

it’s like this

i think about you when i’m warming the car
at 5am on dark winter mornings
the green glow of the digital clock mounted on the dash
searing into my eyes like the sights
of some predatory animal

i want to tell you about things i haven’t thought
of in years       like standard transmissions
and american spirit cigarettes and porch wine

and when i’m washing dishes in the sink
the window a black mirror
reflecting the dark grooves of my night face
back into the kitchen, i think of you again

i want to tell you about swimming in quarries
at night      jumping from the precipice above
and plunging deep into its reservoir
finding the surface by the buoyancy
of my body alone

when I’m laying with my children
in darkened bedrooms breathing quiet
and waiting for them to turn their tired bodies
towards sleep          i want to tell you
about the soft bed of my childhood
the popping embers and smoldering sage
my hair combed one thousand and one times
the musty books scheherazade aesop’s fables
the Iliad

i want to pad barefoot in my flannel nightgown
to your warm bed    pull the plug of moss

from your ear and whisper everything
never knowing if you were awake
or what you heard

it’s like this

ocean floor apology

your grief was so big that 
when you turned up your palms to me 
i cracked on contact

in an instant my lungs filled with water
parenchyma turned to pumice 
and I fell backwards in a slow dive 
through the thermocline abyss 

the world was a tunnel of light
first weak then mottled
 until it was gone

for four months i drifted quietly 
past lost cities 
spying through unhinged balustrades 
tube worms growing on parquet floors 
the translucent skins of young girlfriends 
baking bread on tectonic plates 
wounds slashed in the volcanic sea mount 
so necrotic that they created 
their own weather patterns of rot

and finally settled mute and decisive 
in the primordial silt

an infinite pause
a crypt-silent nautilus of waste 
pregnant with the heavy thing 
that hope becomes when it is dead

in deep sea slow motion
a ghost crab pads softly past
puffing up years of gentile sediment 
with its fragile finger bones

four days later it is gone from view
having silently slipped past the curve of the horizon 
ocean floor apology

Lost in a daydream

half asleep in a beach chair   i imagine my body young and capable

when we were children   our mothers drove us places  
they waited    read books    knitted Afghans   
wore big hats to block out the sun
they stood at a distance   
waiving their long arms for us to come back down the shore   
we had drifted too far   

my children are up the beach 
naked and rolling in the breakers 

a pregnant couple perched on tidy towels 
take pictures of their diminutive dog 
they don’t know who they are becoming 
so they set their sights on knowing their Pekingese 

our mothers were killing the currency of their lives    
in harlequin    and back loop
waiting   agitated and petulant in the HOV lane   
for their lives to begin 
all the while    watching    their bodies    
decay    at a rate slightly more accelerated    
than the arc of their children’s growth 

i doze    the salt tightening on my skin   
hair crystallizing 
my children have drifted so far up the shore 
they are mere dots in the curve of the land  
Lost in a daydream

terminal velocity

squinting backwards at the sun 
my mind’s eye reconciles two worlds 
the one where we live 
and the one where we fight to find our maker

they meet at sea level 

my body is compelled towards your body
it’s a compulsion

like how a stone falls to earth 
and the earth knows to meet it

sediment and sulfur 
thrust faults and tributaries 
the nature of objects



terminal velocity